Maya Deren and Her Successful Integration of Dance and Film :: Biography Biographies Essays

Maya Deren and Her Successful Integration of Dance and FilmThe topic of dance films could non be discussed without mentioning Maya Deren. A dancer, ethnographer, philosopher, and visual poet, Maya Deren is said to have given pay to the American avant-garde film movement. Born Eleanora Derenkovskaya on April 29, 1917, in Kiev, Ukraine, (the form of the Russian Revolution), she was a revolutionary innovator from the start. She was born to her beloved stick Marie Fiedler and father Solomon Derenskovsky. In 1922 her family left the Soviet Union for America. They settled in Syracuse, New York. By 1928, her father had shordecadeed their name to Deren. Mayas puerility name was Elinka. As a young girl, Elinka hated her legs. She had a kind of stalky build for American standards, and because of this, she loved to wear boots. At age ten she gave herself the nickname of Bootsy. Little did she know where those stalky legs would take her. Deren attended Syracuse University to battlefield jo urnalism. This is where her interest in film was showtime sparked. During this period, she began to write poetry, served as the guinea pig secretary of the Young Peoples Socialist League, and met her first husband, Gregory Bardacke. Although her marriage did not run short long, Gregory helped her to develop a strong interest in politics, an area in which she would continue to participate. Deren completed her B.A. at New York University in 1936. She then went on to earn an M.A. in English literature from Smith College in 1939.It was her adjoining move that introduced her to the world of dance. She found a secretarial job operative for African American dancer and choreographer Katherine Dunham. With Dunham, Deren toured with the road show of Cabin in the Sky. While on tour, she met her next husband and life long inspiration, Czech filmmaker, Alexander Hackenschmied, later known as Alexander Hammid. It is her union with Hammid that allowed her to approve her interests and begin t o create films. From an inheritance she earned from her father, she bought a second-hand 16mm Bolex camera. With this camera, Deren and her husband created her first and most famous film Meshes of the Afternoon in 1943. By this time, Elenora had reduce her name to Maya, the word for veil of illusion in Hindu mythology. Deren went on to create many more avant-garde films integrating dance, mise-en-scene, and the art of montage.